A suspenseful game of cat-and-mouse
Halloween (2018): Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.
Jason Blum can do no wrong. The CEO of Blumhouse Productions, executive producer of 2018’s Halloween, and one of the biggest names in Hollywood you've probably never heard of, Blum and his team at Blumhouse have been behind some of the most successful horror films of the last decade+, for better or worse. Paranormal Activity. Inisidous. Sinister. Split. The Purge. Happy Death Day. And, of course, Get Out. Now, the famous executive and his studio is back for the unimaginitevely titled Halloween, a direct sequel to John Carpenter's 1978 classic by the same name. (Seriously, though, this movie’s good and all, but could we have at least seen a different title? There have 5 films in this franchise called either Halloween or Halloween II....) And, like much of Blumhouse Productions catalog, it's a shockingly well executed film that hits all the right notes at all the right times. So let's dive in, shall we?
I'll cut right to the heart of this film: (don't worry, I'll be here all night) the cat-and-mouse dynamic between Laurie Strode (Jamie Lee Curtis) and Michael Myers is one of the more interesting dynamics I've seen in a modern horror film. Director/writer David Gordon Green spends less time going for the cheap jump scares and more time developing the characters of Strode and Myers, which makes the climactic third act as tense and effective as it is. And tenseness is something of an understatement for the third act, as the cat-and-mouse game between the two leads comes to a head and the scares that are usually cheap become freakishly effective. The decision to have Jamie Lee Curtis double as a producer for the film pays dividends: Curtis had an undeniably major role in painting the picture of her character. Laurie Strode is a traumatized mom and grandmother, struggling to maintain her relationship with her family, while dealing with her own PTSD. And she plays off the classic villain incredibly well.
However, the supporting cast is one of the weakest parts of this film. Strode’s daughter, played by Judy Greer, has a rather shallow and undeveloped arc with a laughable conclusion, while Strode's granddaughter, played by newcomer Andi Matichack, does a good job with the material she's given…..if only that material was actually worthwhile. And don't get me started on Dr. Sartain. (Haluk Bilginer) Yes, it's a horror movie, but compared to some other previous Blumhouse Productions installments, like Get Out, most of the supporting cast is nothing more than meager plot devices with a good moment here and there. Also, I do have to commend the fact that this film features three heroines more than capable of handling themselves, and the film never even makes a thing about it which is even better. Absolutely love.
But, at the end of the day, this is great horror film. It has some good scares, and compared to a lot of modern horror films, has some great character development and suspense between its two leads. For me, it doesn't land quite as well as 2017’s It did, in part because a voiceless, faceless villain is in itself limiting, but it still gets the job done. Ultimately, isn't that all you want out of a horror film?
The Critique: featuring a suspenseful dynamic between its heroine and villain, Halloween features effective suspense and good scares, despite a weak supporting cast
The Recommendation: if you're a horror fan, or a fan of the original film, it's well worth a watch. Even the casual horror fan may find something to like here. However, if you're looking for a gateway into the genre….. this ain't it. (Try Get Out instead)
Rewatchability: Moderately High
The Verdict: 7/10 Good.
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