A wonderfully nuanced tale on what defines a family
Shoplifters (2018): A family of small-time crooks take in a child they find outside in the cold.
Every so often, a film comes along that blows you away in every sense of the phrase. These occurrences are even more illusive when you combine them with the ability to broaden your horizons about a certain subject pertaining to societal norms. However, Shoplifters does exactly that. One of the most inquisitive films I've ever seen, Shoplifters is a story told by writer/director Hirokazu Kore-eda. The Japanese director crafts a marvelous piece of cinema that effortlessly grips you from the first frame to the end credits. It's easily the best made film I've seen all year, with an equally enlightening story.
The film centers around a Japanese family that makes its living around the film's namesake. Each member of the family is masterfully crafted and portrayed. Kore-eda style bodes well for the actors involved here. Many of the scenes most emotional moments are improvised, (including the film's incredible climax) which leads to some of the incredibly genuine and heartfelt moments. The entire film basks in its intimacy: there's only a handful of shots with more than 5 people in the frame throughout the 121 minute runtime. This intimacy allows you to easily connect with each and every member of this diverse family. The first half of this film is a loving character piece made by a master filmmaker, and you'll find yourself so absorbed by it when it takes a hard right you're completely blindsided.
The final 30 minutes of this film are heart-wrenching and will make you question what it means to be a family. It's one of the best "hard rights turns" I've ever seen in a film, and thanks to the engaging character development in the first 90 minutes, every second of that final act is an emotional roller coaster. It is impossible to leave the theater without this film resonating in the depths of your mind and soul for days, if not weeks, afterwards. It certainly has with me. Every aspect of filmmaking is at its best here at the hands of Hirokazu Kore-eda. The lighting and set design (equally intimate in scale) are equally masterful. The film demands a second (or even third) watch so you can catch all the nuances you missed in the first go. It's one of the best stories I've ever seen, crafted by a master filmmaker, and more than fitting of Cannes Palme d'Or. Do make an effort to see it.
My Number: 10/10 Perfect
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