Wonderfully weird, mindlessly marvelous
Aquaman (2018): Arthur Curry learns that he is the heir to the underwater kingdom of Atlantis, and must step forward to lead his people and be a hero to the world.
So for those that have been following my reviews over the years, you know that I don’t exactly have the best relationship with comic book movies. So that should lend some credence to the notion that I actually enjoyed James Wan’s Aquaman, because cynical Joe can still have fun watching movies. That's exactly what Aquaman is: fun. How do you make a film with a standard cookie cutter story enjoyable? With great execution, amazing colors, and over-the-top sequences, that's how. I think Warner Brothers has finally discovered a formula for success with these spin-offs: limit Zack Snyder's involvement while simultaneously allowing the directors of these films be themselves. We can thank Patty Jenkins (Wonder Woman - check out Peter Kosanovich's review here) for that.
So what makes this film so enjoyable? James Wan's fingerprints are all over this film. In a nutshell, the accomplished director takes the Furious 7 formula (his previous big budget action movie) and puts Aquaman in it. And since Furious 7 was a wonderful bit of mindless fun, that means Aquaman is that, but with even more money. My favorite thing about this film are the colors. The production design here is out-of-this-world (or, in the depths of the sea? Does that work? Shut up, Oscar.) and makes the film infinitely more enjoyable. Had Zack Snyder been given more leeway in this project the sets would've been disastrous, given the fact that it's hard to find natural light underwater. (And thus justification to shoot an underwater scene "during the day") But James Wan makes sure every set, regardless of natural lighting, is lush and colorful and fun to look at. Mad props to production designer Bill Brzeski. If this film deserves any recognition from the Academy, it should be for its mesmerizing production design. Or special effects. Those are pretty dang good too. The third act in particular has a ton of absurd sequences that would've looked absolutely ridiculous were it not for the great special effects.
Also, the cast is great. Jason Momoa is fantastic as Aquaman, bringing a level of suave and charisma to a character that's never been known for it. (Deeeeeem abs doe.) The writing is where this film really flounders, (more on that in a sec) but one character that does receive a great arc and a ton of depth is King Orm. (Patrick Wilson) While this villain isn't quite as dynamic as Killmonger from Black Panther, King Orm's motivations are grounded in real-world problems and thus make him a far more sympathetic villain. (2018 has definitely been the year of the villain in superhero movies.) However, King Orm is about the only character who's arc is even remotely interesting. Aquaman goes on a dullishly ordinary hero's journey, and Mera (Amber Heard) is all but wasted as the sidekick that (predictably) falls in love with the male lead. You're never taken by surprise with this story, but, similar to that of Furious 7, you still find yourself having fun with all the mindless action. It is undoubtedly well-made and executed, with a charismatic (though dull) lead and an interesting villain. What more could you ask for out of a big budget action movie?
The Critique: Despite a cardboard cutout of a story, Aquaman delivers a ton of mindlessly enjoyable moments thanks to incredible production design and stellar visual effects.
The Recommendation: if you're looking for a fun popcorn flick this holiday season, look no further!
The Verdict: 7.5/10 Almost Great
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